In the clip from Ocean 11, the frame of mind is shown right away from the darkness all around and the diming of the lights on the poker table that give's it an ominous look, that it doesn't look what it seems to be. After that it moves to the bar were the music is more lively than it's over, since it felt to me that the music sense back to the poker table had been fade in edit. Than back to the poker table where a familiar face has shown up. The unrestricted sense that the viewer sense from the two well known faces are obvisoult up to something, but the players around the table don't. The character's had anticipation to when the plan had happen. The shot between the guy that won the pot of money and brad pitt was meduim shot because you feel like he know's something that you don't.
2. Silence of the Lambs
In the beginning of the clip that the man holding the bug was a close shot and it felt like the camera movement was a hand-held. The other shots were a steadicam because they did smooth and short edit dissolve between the sense of the man going into the door and than cutting to the police outside on the side of the house. The lighting was really dark and it was hard to see the man in the house and the kid in the hole with the dog in the house. The shot with the guy's behing the red van was a meduim shot with a steadicam that had last a couple of seconds.
3. Magnolia
The start of the clip was a steadicam through the whole clip form the dad walking with his son too the dad doing his job for the play. Than it would change person's to follow around the studio. It's shot through the clip was a long shot because it show the view of the front shot, middle shot and back shot. It show's rule of thirds while the people were walking through the halls of the studio. An example of the clip would be the son and the dad walking together in the halls in the studio. The lighting at the beginning was light darkness when the son and dad walk in to the studio together.
4. Amadeus
The beginning of the clip of the two character's sitting in chairs was a meduim shot and it had little low key lighting because there was a little dark shadow on each of the character's face. Before they had cut it to blend it in you good hear the women sing before they cut to the choir/music secene and good hear after too. There was a long shot on the lady sing and than she slowly comes closer to make you feel like your in that opera. We really can't see the insturment but we a soom that there.
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